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We came, We saw, We JUNO’d!!!

Posted on Apr 8, 2017
by Heather Bambrick
10 Comments

In the words of the Irish Rovers:  wasn’t that a party?

The JUNO Awards were celebrated in Ottawa (appropriately, the nations capital) on March 30 – April 2.  This was my first time attending, so I wanted to enjoy every minute of it, and what better way than to surround myself with people I love?!  So I brought my partner, my best friend, and my sister along for the ride.

The adventure began with a quick trip to pick up my outfit from Atelier Umetsu (thanks to Rosemarie Umetsu for the fabulous design!) and then we were on our way!  My partner and I arrived on Thursday afternoon, checked into the hotel, and then headed out for the final quiet night of the weekend, which included a fabulous “date night” dinner and walk around the Byward Market – one of my favourite parts of Ottawa.  Along the way, I might have found one or two things that caught my eye … including the most beautiful Fluevog store!!!

The next day, the fun began early.  I woke ahead of the sun, and headed out to do some media appearances in support of the JUNO Jazz Mashup that Matt Dusk, Barbra Lica, and I recorded a while back.  First, it was off to CBC Radio for CBC Ottawa Morning.  Then, I enjoyed a leisurely walk back to the Market, just in time to grab another well-needed coffee and meet at the CTV studios where we had a fantastic time performing and hanging with the hosts (who even invited us to stick around with them while they signed off!).  (Click HERE to see the performance.)

After that, there was a little time to relax, pick up some supplies for the hotel room, and wait for the gang to arrive.  First it was my pal Kylie, whom I call my “Soul Scat Sister”.  Kylie and I went to U of T and were the only two vocalists in the same year at the Jazz Studies Department together.  We were in the Beehive Singers together, have recorded together, toured Canada together, and have probably survived this business because of each other.  So she didn’t hesitate to tell me that she’d be joining me for the weekend.  A little later, my sister Karen arrived.  Karen has been living in Washington for 7 or 8 years, now, and flew up especially to be with me for this JUNO weekend.  She used to live in Ottawa, so it was also a chance for her to connect with some old friends.  Once Karen and Kylie arrived, we broke out the champagne, helped each other make some final outfit decisions, and then hopped in a limo to head to the JUNO Opening Cocktail reception at the National Art Gallery.

This was the official launch of JUNO weekend festivities and featured several of the nominees, as well as a bunch of industry people, all in a gorgeous foyer at the National Art Gallery.  Because TD bank was one of the sponsors, we walked the “Green Carpet” and then posed for a bunch of photos.  This was my first taste of this sort of media attention and it was VERY cool!  First, a JUNO staff member walked in front of the photographers holding a white board with each nominee’s name on it.  Then, we – the nominees – followed our names and did the ol’ “Step and Repeat”, which is what they call the stopping and posing you do for photographers / media sources.  Not to sound all “green” and stuff, but this was so cool!!!  It was kinda neat hearing photographers calling out:  “Heather – over here!”, asking you to face them for a good shot.

We had a cocktail or two, chatted with a few people there (including fellow-Newf, Kim Stockwood, and the Dean of Canadian Jazz, Phil Nimmons), and then hopped back in the limo to head to LIVE on Elgin for my JUNOFest performance.  I was so excited to play with my pal David Braid, again.  David is a two-time JUNO winner, and was nominated again this year in the Best Instrumental Recording for Flow.  Playing with him was just like old-times and felt so good!  We did a terrific set and then relaxed to enjoy some of the other performances, and catch up with some old friends, including a couple of great pals with whom I’d gone to high school and university in Newfoundland, who were now living in Ottawa.  All in all, our first day of JUNO weekend was a good one!

The next day started slowly with a leisurely breakfast – and LOTS of coffee – and then some prepping for our make-up application.  I’d booked a fabulous make-up artist, Klava Zykova, to do all of our make-up for the Gala Awards Dinner that evening.  Klava created four completely different looks and did it all brilliantly!  We had an amazing afternoon of good times, laughter, champagne, and make-up!  So “girly” and so much fun!!!

Once our make-up was done, and we were dressed in our outfits, we headed out to the big JUNO Awards Gala Dinner at the Shaw Centre.  I have to say:  we all looked terrific!!  First things first:  I was to walk the Red Carpet with another “step and repeat”, which I totally had down, by now!  😉  After that, I was whisked back to a room for more photos to be taken in a couple of “pop-up photo studios”.  From there, I joined the girls, and we gathered in the foyer outside of the ballroom where the dinner was to take place.  I saw many of my fellow Jazz-nominees, with whom I shared hugs and congratulatory wishes.  We’re a small relatively small community, and we were all simply thrilled for one another!

One of the highlights of the evening came when I met a Canadian music legend, whose music I’d recorded on my CD:  Bruce Cockburn!  My sister spotted him and his manager, Bernie Finkelstein, and approached them to introduce us.  Bruce was so gracious, saying that he enjoyed my version of “Lovers In A Dangerous Time” and posing for a picture with me while I tried not to gush too much!!  (He even said he enjoyed listening to me on JAZZ.FM.  Whaaaat?!?!)

Eventually, we entered the main ballroom for the Awards Dinner.  Each place setting featured wonderful souvenirs, courtesy of CARAS / the JUNOs, to commemorate the evening.  We met the others who were sitting at our table, including someone from the Tafelmusik Baroque Orchestra, and fellow Jazz-nominee Mike Janzen.  We saw and chatted with various other folks we’d spotted around us, including the gang from Splash ‘n’ Boots and Diana Panton (both of whom were nominated in the Children’s Music category), and a few others, as well.

A little over an hour and a half into the dinner, the Vocal Jazz Recording of the Year category was announced.  I must admit:  by this time, in my head I had ventured a guess as to who was going to win the JUNO, but I also thought we had a pretty good shot at it.  I was very happy for Bria Skonberg, who won the JUNO for her recording Bria.  This is a great and very deserving record!  I was proud to have been included in the category and was more than proud to hear my name announced over the loud speaker with all the others.  Win or lose, it was really kinda cool!!

Once the awards were done, we headed over to the Chateau Laurier to meet up with our friend (and incredible Canadian musician, herself) Margo Timmins.  Margo and her husband (Graham Henderson, of Music Canada) toasted our weekend and shared a few stories with us.  We were eventually joined by a few other folks, including Eleanor McCain and Ron White (both of whom are lovely) and we all toasted this year’s awards.  It was a terrific way to end the night!  Or, at least, it WOULD have been a terrific way to end this night … but that’s not exactly how the night ended!!

After walking my sister outside to hail a cab, I turned to walk back into the Chateau Laurier, not paying enough attention to the cobblestone driveway on which I was walking, and “rolled” my ankle!  Fortunately, the martinis I’d just had helped numb the pain … at least at that point.  Let me tell you:  the next morning, there was NOTHING numb about it!!!  Clearly, I’d sprained my ankle, and had done a good job of it, too!!  Sadly, there’d be no red carpet walking for me that evening.  In fact, there was no walking at all!!!  We packed up our stuff, hobbled into the car, and took a nice, scenic route back to Toronto.

The return trip was filled with more laughter and lots of chatter about how much fun we’d all had that weekend.  I can’t think of a better group of people to have shared the event with, and I’m so grateful to them for having made the trip with me.  I’m a very lucky gal:  doing what I love, being honoured for what I do, and sharing the accomplishments with the people that I love.  Nope … it doesn’t get much better than this!

Through it all, I received so many notes, messages, e-mails, social media posts, phone calls, and more, from family and friends all sending wishes of luck and congratulations.  To everyone who did that, I say:  THANK YOU!  You have no idea how much it meant to me!

Win or lose, sprained ankle or not, I had a GREAT TIME at my first JUNO Awards.  I have to say:  I think I did it up right!!

News, Post performance

The JUNO Jazz Mashup Everyone’s Talking About!!

Posted on Mar 26, 2017
by Heather Bambrick
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What do Heather Bambrick, Matt Dusk, and Barbra Lica have in common with Shawn Mendes, Alessia Cara, The Weeknd, Drake, and Sia?  Well, besides the fact that we’re all JUNO nominees, we’re also sharing the same music … in VERY different ways!  (Hear it, HERE!)

Just after the JUNO nominations were announced, I got a note from Matt Dusk, asking me if I would be interested in a project that would have me and a few of the other Vocal Jazz nominees doin’ some Pop, Rock, R&B, Rap tunes.   My brain should have said “HUH?!”, but without missing a beat (<ahem> … pun intended) I agreed, not quite knowing what I was signing up for.

The result was a FABULOUS mashup of styles and sounds, in a JUNO Jazz medley that has everyone talking!  Under the musical guidance of Marc Rogers, the hits of more “mainstream” artists were combined with instrumental tracks inspired by everyone from Buble to Sting, and sung by Vocal Jazz nominees Matt Dusk, Barbra Lica, and Your Truly.  The songs covered are Shawn Mendes’ “Treat You Better” (performed by ME a la Mighty Might Bosstones), The Weeknd’s “Star Boy” (performed by Matt Dusk as a lounge-y bossa nova), Alessia Cara’s “Here” (performed by Barbra Lica, with a Buble-esque instrumental), Sia’s “Cheap Thrills” (which I sing with instrumentation inspired by Sting), and Drake’s “Hotline Bling” (performed by Matt in a style that could be described as Del-Shannon-meets-Frank-Sinatra).

And you know what?  People are loving it!!  In just a few days, the YouTube video already has over 12,000 views, and counting!  It’s been played and / or talked about on CBC Radio, Much Music, Canadian Beats, FYI Music News, Toronto Life, iHeart Radio, Kiss FM, and CTV, to name a few.  We’ll continue to promote it during JUNO week (March 27-31), with appearances on the Global Morning Show (Monday morning), AM740 (Tuesday morning), AM640 (Tuesday afternoon), JAZZ FM (Wednesday morning), CFRB (Wednesday afternoon), and CTV Morning Live – Ottawa (Friday morning).

Here it is, in all its glory:  the 2017 JUNO Jazz Mashup / Medley!!!

https://www.heatherbambrick.ca/wp-content/uploads/2017/03/JUNO-Jazz-Mashup.mp3

 

 

News

JUNOS HERE WE COME!!!

Posted on Feb 10, 2017
by Heather Bambrick
No Comments

It’s with immeasurable pride and more than a little “teenage-girl-squealishness” that I announce:  You’ll Never Know has been nominated for a 2017 Juno Award for Vocal Jazz Album of the Year!!  We received the news at the Juno Awards Nominations media conference on Tuesday, February 9!!

The nominees for the 2017 Juno Award for Vocal Jazz Album of the Year

As is usually the case, it’s a tough and very talented category, with some incredible creative ability among my fellow nominees:  Amanda Tosoff (Words), Barbra Lica (I’m Still Learning), Bria Skonberg (Bria), and Matt Dusk & Florence K (Quiet Nights).  Having played tracks from all of these recordings on Jazz FM, I can safely say they’re all wonderful and I’m thrilled to be included in such terrific company!

The media lineup for the 2017 Juno Award nominees. If you look REALLY closely … you’ll see The Weekend. If you look REALLY closely again … you won’t see me next to him.

The experience of being at the nomination media event was pretty amazing.  Once the nominees were announced, we were all whisked away to the media area for interviews.  As you can imagine, the Jazz nominees were immediately bombarded by media, all clamouring to ask us how we felt, what this meant for our careers, and who we were wearing.  (Ok, so maybe that “Weekend” guy received a wee bit more attention than us Jazzers … as did the hipster-beard-sporting Alt Rock guys – who seemed to drop their smiles as soon as the camera was focused on them – and the guy in the cowboy hat and boots – whom I can only assume was a Country nominee –  who was working hard to alter his accent from Calgary suburb to Austin City Limits through each and every interview.  But other than that, it was ALL about the Jazz!)

Each nominee got a Casper pillow! ‘Cause good music needs a good night’s sleep!

With interviews (yes, that’s plural!) all finished, I was handed my gift bag.  You’ve all heard the stories of the glamorous offerings presented to nominees at awards events like these.  Well, this was no different.  Each and every nominee was given … wait for it … a pillow!  And not just a throw pillow.  It was a “nighty-night-sleepy-time” pillow!  Yes, the perfect reward to balance out the tens of thousands of dollars you’ve just invested into your latest music project, which will be downloaded for fractions of a cent per play:  a pillow!!  Perfect for lying awake on, night after night, wondering why you ever got into the music business in the first place!  (Actually, all joking aside:  it’s a FANTASTIC pillow!  Seriously – I love it!  That’s my kinda goody-bag!)

So, it looks like we’ll be heading to Ottawa for a star-studded, fun-filled weekend of music, schmoozing, and generally basking in the glory of being presented with this huge honour!  (Yes, it’s true what they say:  it really is fantastic just to be nominated.  Now, don’t get me wrong:  I’m not gonna turn the trophy down, should they decide to give it to me, but still …. )

If I may get serious for a moment, my fellow musicians and I don’t create our art for the purposes of garnering glory, laud, and awards.  We make music because we are drawn into it and/or called to do it.  We don’t choose music … it chooses us, and without it, we’re miserable.  It’s the reason we wake every morning with a yearning to do nothing else only immerse ourselves in song.  It’s the reason we start each year, each month, each week hoping our work will pay us enough to live a comfortable life, supporting ourselves and our families.  It’s the reason we couldn’t possibly imagine doing anything else.  And then, when an honour like this comes along – where other folks in the industry determine that the culmination of our artistic efforts is worthy of being held up as something of note – well, let’s just say it feels pretty darned fabulous!

So, thank you to CARAS, the Juno Awards, and all of those folks in the industry who took a listen to this little ol’ CD of mine and decided that it was worth being considered for an honour like this.  I’m beyond grateful.

And with that, I’ll begin prepping for Juno Week … starting with my diet.

You’ll Never Know … 2017 Juno Award nominee for Vocal Jazz Album of the Year

News

Muffin Chronicles Return!!

Posted on Aug 15, 2016
by Heather Bambrick
3 Comments

It’s been a long time – and a lot of adventure – since the last installment of The Muffin Chronicles. I’ve had several people asking about her and wondering if I was ever going to share any more of our adventures with her. Well, seeing as I have this whole blog thing going, I thought: “why not”?!

So Muffin’s pretty well settled in, feeling considerably more content than she was when I first adopted her two and a half years ago. Since we’ve created our little family, she’s been more of a “real dog” than I’ve ever seen her! Muffin’s partner in crime (including that which we’ve not been quick enough to Digsdiscover) is “Digby”, a Yorkie who is as full of personality as he is mischief and cuteness. Together, they snuggle up, get into lots of trouble, comfort one another, and generally get through the day-to-day happenings of their doggy lives. They’re a couple of peas in a cute-as-heck pod!!

Like so many of us, these days, Muffin is medicated. As you may remember from previous installments, Muffin has issues with separation anxiety … and by “has issues”, I mean she barks a lot, paces frantically, and generally will chew any piece of clothing or material, particularly those she can drag from room to room … like tea towels, blankets, curtains. (Yes, <sigh>, I did say “curtains”.)  At first, my partner (HG) and I decided to install cameras to see what set her off: were there particular times or events that caused her upset? Did she get worked up right away, or would she wait a while after we departed? Was Digby helping to calm her down at all, or was he providing her with things to chew?  (Come on – as if he wouldn’t do that!!)

What we learned was that: (a) she got upset basically as soon as we left, and would almost immediately look for something to chew; (b) it would take her a while to calm down; (d) Digby was not only unable to calm her down, he was also starting to develop a nervous twitch of his own, probably due to being privy to Muffin’s anxiety.

Muff and Digs CottageSo, we decided to give Muffin some chew toys. We looked for things that were healthy, non-toxic (of course), and generally wouldn’t do too much damage. She took to them like a duck to water … like a pig to mud … like a dog to … er … chewy things! However, if she didn’t have access to said chewy things (for example after some dental surgery, when she wasn’t allowed to chew anything like that), she would revert to other things again. Thus, whenever we left the house, we had to “de-Muffinize” it: remove any and all things that she might want to chew. (Except for the curtains in the window. I’m still hoping she’ll do the job on those, ‘cause, well, I kinda want to get new ones. But I digress … )

Dad and PupsEventually we spoke with the vet, who suggested a mild anti-anxiety drug might help ease Muffin’s worries. So, for the past 6 months or so, Muffin is on Doggie-Prozac (and I’m on an increased credit limit). While it hasn’t completely fixed the chewing (fortunately, we’ve found some good quality tea towels at a Dollar Store), she’s much more relaxed overall. She will actually allow me to leave the room without following me like a mid-thirties hipster follows Fred Armitage’s career. She also takes to friends and family more easily that she does before. When my parents visited in the past, Muffin would usually need a few days to warm up to them. Now, however, she cuddles up to them after only being with them a few moments!  (My Dad’s relentless treat-giving probably helps, as well!)

All of that is not to say that all issues have ended. No, indeed – there are still a few.  For example, because she lived in a cage in the top of a barn for 7 years (grrrrrr!!) Muffin doesn’t always have the ability to wait to get to the backyard before relieving herself. Thus, inevitably, whenever we go out for any reason – from a gig that might have us away for a few hours, to a trip to the drug store that might have us away for a few minutes – we’ll often return to a little “surprise” from our girl. (Yes, nothing says “glamour” like being on your hand and knees, still dressed in the outfit you were wearing on stage just an hour earlier, cleaning pee off the floor. <sigh> )

And then there are the trips to the vet!  (I now have a credit card that is dedicated to Muffin’s vet bills … and I’ll soon be planning our trip to Fiji using the travel points.) Because she’s part Cocker Spaniel, she has issues with her ears. Thus, there are weekly ear drop applications, weekly ear cleanings, and the general check-ins, infections, and the like that go with having a dog with chronic ear issues.

Like her mother, Muffin also suffers from allergies. We’re still not sure exactly what she reacts to, but she deals with occasional itchiness and redness around the eyes and ears, and (every now and again) we notice some occasional spots on her wee belly. She now receives daily doses of children’s Benadryl during high allergy season) and we keep a bottle of Benadryl spray close-by, in case of belly break-outs.  I am now on a first name basis with the entire staff at the Vet’s office, who are starting to thank me for my contributions to their new bonus structure and pension plan.  (On a related note, I am now available for corporate engagements, bar mitzvahs, and baby showers … )

Muff FaceAnd yet, even with all of the issues, the vet bills, the chewed up tea towels and sweatshirts with wee holes in the sleeves, the late-night pee wiping, all it takes is for me to look down to where she lies at my feet each day as I work at my desk, or feel her cuddling up next to me as we settle in to sleep each night to know that I can’t imagine her NOT being a part of our family!  Our first Christmas with her, HG bought me a wee plaque that (while grammatically not perfect) states it best: “Who Rescued Who?”  Indeed!

News

With A Little Help From My Friends

Posted on Jun 11, 2016
by Heather Bambrick
No Comments

Screen Shot 2016-06-11 at 12.34.00 PM Well, it’s June in Toronto … which means it’s time for the city to get taken over by several phenomenally talented musicians from the world over, all here to create a fantastic vibe as we celebrate the TD Toronto Jazz Festival!!

This year marks the 30th Anniversary of the Jazz Festival, which means folks are in an even more celebratory mood (and that the festival’s graphic designers have to work a little more!) Each year, the programmers, promoters, and producers do their best to create a stand-out line up that will satisfy the die-hard Jazz-lovin’ folks, while enticing new Jazz fans to dip their proverbial feet in these musical waters for the first time. (Don’t worry: we’re always gentle!)

A few years ago, we began doing something I now refer to as the “And Friends” series. I don’t know if it’s because I’m a Newfoundlander and am naturally hospitable, or if I just know how to throw a kick-arse party, but for the past 3 years, I’ve been acting as a sort of Jazzy Carol Burnett, performing with a killer band and inviting a stellar line-up of all-star guests to join me in the most entertaining of shows. In the past, we’ve featured guests such as Jackie Richardson, June Garber, Amy McConnell, Amy Cervini and more.  Well, this year, we’re at it again. We are marking the 30th Anniversary of the TD Toronto Jazz Festival, with another edition of Heather Bambrick and Friends!

Screen Shot 2016-06-11 at 12.24.24 PMAs in previous years, our musical director is none other than one of the finest musicians, bandleaders, composers, arrangers, and directors … “Mr Belt and Suspenders”, himself:  Russ Little!!  Russ is one of the funnest and funniest guys I know with a sound that’s as big and beautiful as his personality.  This year, he’s bringing with him a quartet that has literally worked with pretty-well every major artist ever known to mankind. (Sure, I may be prone to exaggeration at times, but NOT this time!)

Screen Shot 2016-06-11 at 12.23.07 PMOn piano, we have a musician, composer, arranger, producer, and fantastic curry-maker (or so I’ve been told … he keeps saying he’ll make one for me, but I still haven’t had the honour) who’s worked with Gordon Lightfoot, Anne Murray, k.d.lang, Marvin Hamlisch, Dionne Warwick, Smokey Robinson, Bobby McFerrin, and many others … a man whose name is harder to spell than many Eastern European countries: Tom Szczesniak.

Playing bScreen Shot 2016-06-11 at 12.23.49 PMass is a gentleman who’s quite possibly performed in every pit orchestra of every major theatrical show that’s hit a Toronto stage … and he’s got the war-wounds to prove it.  He’s worked with artists that have ranged from Jazz great Rob McConnell to angst-ridden pop songstress Alanis Morissette (little known fact: Alanis modeled her band-leading career after that of Rob) … it’s Scott Alexander!

Screen Shot 2016-06-11 at 12.24.40 PMAnd finally, on drums, we have someone who is as quick with his wit as he is with his paradiddles!  He’s another multi-talented artist who’s worked in every musical style imaginable, from Ellington-inspired big bands (under his own leadership), to classical bassoon quartets with Georgian polyphonic folks singers (I kid you NOT).  It’s the tap-dancing drummer:  Brian Barlow!

It’s always an interesting experience choosing the musical “Friends” who will join us as guests each night.  Like Carol Burnett, combining her talents with those of Julie Andrews, Phillis Diller, Sid Ceaesar, Peggy Lee, Rock Hudson, Cher, Carol Channing, Carl Reiner, Ruth Buzzi, Charo, (wait!  who are we kidding?  there’s NO ONE like Charo!) we wanted to invite folks who were not only very musically talented, but who also brought with them tremendous entertainment skills, and the ability to do slap-stick gags at a moment’s notice.  Well, this year, I think we hit the mother load!!

We are Screen Shot 2016-06-11 at 12.48.34 PMstarting out the series – and the festival – on our opening night, with one of the country’s most talented musicians, singers, songwriters, and a recent Juno-nominee.  Her latest CD is appropriate called “New” and features her signature style of nostalgia-based swing music.  She wins the hearts of each and every audience member, it’s Canada’s Sweetheart of Swing:  Alex Pangman.  (Friday, June 24)

Screen Shot 2016-06-11 at 12.56.05 PMThe second night of the series features the brilliant combination of Jazz, Musical Theatre, Comedy, and Cabaret.  We are welcoming Broadsway, featuring Yours Truly, along with Theatre veteran Diane Leah, and Jazz-Blues songstress Julie Michels.  This promises to be the widest variety of styles, bringing together everything from Sonny Rollins to Burt Bacharach (and, yes, maybe some Charo!)  (Saturday, June 25)

We skip aheaScreen Shot 2016-06-11 at 1.01.39 PMd a week for a Canada Day celebration that sees us welcoming home one of our own who, since her move to New York, has charmed music fans and critics alike with her clever songwriting, and sultry delivery.  Her sound is sophisticated and cool and we can’t wait celebrate with a great Canadian Jazz talent Melissa Stylianou!  (Friday, July 1)

Screen Shot 2016-06-11 at 1.37.12 PMAnd finally, we are closing the series with one of this country’s smoothest, sexiest, and sweetest vocalists.  He’s a sort of a mix of Sinatra, Tom Waits, and James Dean.  He’s an incredible composer, arranger, music director, pianist, and producer in his own right, and is a definite fan favourite.  We’re thrilled to close the Heather Bambrick and Friends series with the fabulous John Alcorn!  (Saturday, July 2)

You can find out more information about each show – and all of the amazing music featured as a part of the Jazz Festival – by visiting the Toronto Jazz Festival website.

In the meantime, we hope to see you for one – or all – of our Heather Bambrick and Friends series:

Friday, June 24 with Alex Pangman  (click here for info  /  click here for tickets)

Saturday, June 25 with Broadsway  (click here for info  /  click here for tickets)

Friday, July 1 with Melissa Stylianou  (click here for info  /  click here for tickets)

Saturday, July 2 with John Alcorn  (click here for info  /  click here for tickets)

Aaannnnnnd, if you’re wanting to know more about other shows throughout the summer and into the (shhhhh … don’t say it!) Fall (aurgh!  you said it!) simply visit the SHOWS page on my website.  (Oh!  And you can also sign up for very occasional e-mails to find out what’s going on with my music, my dogs, my gardening, my hair care products – or maybe just my music – by clicking here.)

Thanks for reading this.  Hope to see you at the Home Smith Bar.

Until next time, take good care!!

Hugs,  Heather

Red Jacket

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For the Boys

Posted on Apr 28, 2016
by Heather Bambrick
2 Comments

fortheboysJohn Crosbie once said “You can always tell the Newfoundlanders in heaven: they’re the ones who want to go home.”

I doubt truer words were ever said about my people. We really are drawn to our Fair Isle. This weekend I was honoured with the opportunity to return home for a show that paid honour to hundreds of boys who didn’t make it home: the brave young men of the Royal Newfoundland Regiment.

In 1914, hundreds of members of an entire generation of young Newfoundland men were called overseas to England to fight for King and country. They were the only North American unit in World War I to fight in Gallipoli, and then, on July 1, 1916, they went down in history in the Battle of the Somme. On that date, after several miscalculations and a number of other unfortunate decisions and outright mistakes, two of the first Allied command lines to attack at Beaumont Hamel, were disastrously unsuccessful. When the Newfoundland Regiment was called upon, at around 9:15 that morning, they jumped out of their trenches to face their challenge and almost certain death, without a moment’s hesitation. Not one man cowered or even thought to turn back. The results were horrific and would affect Newfoundland and its people for more than a century.

SoldiersThe Newfoundland Regiment began over 800-strong. At roll call the day after the attack on July 1st, 1916, only 68 men responded to their names. The rest were wounded, missing, or assumed dead. An entire generation of young men was lost.

It was just after returning from my last visit home to Newfoundland when I received a phone call from my dear friend, and former school-mate, Kellie Walsh. Kellie is a highly respected musician who conducts several ensembles, including Lady Cove, an award-winning Women’s choir based in St. John’s. This year marks 100 years since the fateful Battle at Beaumont Hamel, and Lady Cove was planning a concert in remembrance of the soldiers who fought and lost their lives during the Great War and that battle in general. Kellie asked me to be a guest an to host the evening. We worked out the details of timing, etc., and the ball was set a-rollin’.

Lady Cove

Lady Cove conducted by Kellie Walsh

Over the next 2 months I learned more about the war-time history of Newfoundland than I had ever known in the past. I read stories about the support these men had from their communities at home – about songs being written for “the Brave Boys of the Goulds”, and more. I read letters from young soldiers to their families back home, telling tales of the soldiers’ good spirits and enthusiasm about joining the fight. I read letters from fathers of 16 year-old boys, asking the “powers that be” to spare their sons from active duty, as they were too young and too unprepared. I read memoirs of those who’d survived the battle, describing what it was like to see their friends and comrades dying around them.

On more than one occasion, my own tears dropped on the notes I was making, as the emotional weight of the information was just too overwhelming, and I felt a combination of tremendous pride in my ancestors, and remarkable grief over their loss. These young men were so very proud to be fighting as Newfoundlanders. (At the time of the First World War, we were not yet a part of Canada. We had been a self-governing British colony from 1855, and then in 1907 we became a British dominion. We didn’t join Canada until 1949.) Letter after letter, memoir after memoir, there was one element that was particularly clear. While these boys may have been fighting for King and Country (Britain), they were doing so representing one place and one place only: Newfoundland.

Once the music was chosen and the repertoire shared with me, my job was to weave things together; to connect what we were performing with the events of the time and to put things in proper context. The show was called “For The Boys”.  It was to be the show that our boys never got because their military careers were simply too short-lived.

There is no way to convey the privilege I felt at being a part of that concert! I loved talking about the events of 1916; connecting the popularity of female film-stars to the drafting of so many men … discussing the emergence of Dixieland music at the time … introducing – and/or singing – songs like “You Belong To Me”, “K-K-K-Katy”, and “Lift Ev’ry Voice”. It all happened in front of a room of more than 400 people who sat elbow to elbow, listening intently, singing along full-voice at appropriate times, and crying together in respectful nostalgia. Lady Cove was wonderful and the concert conveyed the right tone of just enough levity to make it a “show”, and just enough gravity to convey the devastating loss we have all felt as Newfoundlanders since that fateful battle on July 1st, 1916.

At one point, various members of Lady Cove read the names of soldiers in the Newfoundland Regiment who were their direct relations, an understated “thank you” to their great uncles, grandfathers, and the like who offered the ultimate sacrifice in the fight for freedom, liberty, and fairness in the world.

The losses suffered by the Royal Newfoundland Regiment devastated Newfoundland itself. An entire generation of young men were lost; a generation of fishermen, hunters, carpenters, husbands, fathers … so many of the individuals who were unable to rebuild the island, its society and its economy … so many men unable to “come home” to resume the lives that were tragically cut short.

So, this past weekend, I “came home” … to celebrate and relish in the fact that I could … and to pay homage to those who, in their fight for liberty, were never to “come home” again.

Kellie and Sarah

Sarah and Kellie

Rob

Rob from the Parade Street Stompers

Krysta and Julia

Krysta and Julia

The Ladies

The Dames of Lady Cove

Post performance
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